why is this so unfailingly funny every single time
i DONT KNOW W HY IM LAUGHING S O HA RD A T THIS
PET ME, YOU STUPID FUCK
people romanticize growing up in the 90s but we had our struggles
As a special present for Bikini Armor Battle Damage first anniversary, I present to you: Female Armor BINGO!
Feel free to use as a reference to quantify how ridiculous any female armor is.
edit: Updated the link into downloadable PDF!
Breakdown of all the squares under the cut.
This is pretty amusing. The most concise collection of tropes and cliches used in female character design that I’ve seen yet.
But it also got me thinking. Tropes and cliches are like knives: if you’re naive you’ll only hurt yourself and others, avoid them entirely and you’ll be safe but limited, OR learn how and when to use them to your advantage. Ignorance and prohibition are two paths to ruin.
Looking at this chart, I honestly think there’s a good chance that throughout my career I’ll use most of these (and many more that aren’t represented here). In fact, just reading through the list gave me a few design ideas. Of course if I’m doing my job right it should ALWAYS be in service of the story and character (not at their expense).
This issue raises a small red flag for me. As an artist, the one thing I dare not do is declare: I shan’t use this or that design element as long as I live, so help me God!Edit: I’m going to expand on my thoughts here, as a response to some of the comments I’ve received. Over the past 10 years as a concept artist I’ve been able to see that the difference between a lasting design and a forgettable one is how much it respects the audience and the character. My unique position has afforded me a lot of face time with gamers and fans (and would-be-fans) and their desires echo my own: give us more character designs we can believe in. And now, as a father of two daughters I am more invested than ever in the fight for inclusivity and creating designs that inspire and invite EVERYONE to join in.Let me be perfectly clear: I firmly believe we will win that fight by attacking imbedded mentalities, not specific aesthetic choices. We should certainly treat the symptoms, but I don’t want that to distract from fighting the disease.For example, the chart mentions boob cups, helmetless armor and armor with holes with skin showing through. I’m watching through Game of Thrones again, so I think of Cersei Lannister’s armored gown with boob cups, Brienne of Tarth’s lack of helmet and the incredible design language used in the desert armor of Qarth (more holes than metal, with minimal fabric beneath). They are all done tastefully and in support of character and setting. Their respect for the characters and the audience led them to create unique and story-supporting designs despite checking 3 bingo boxes.I understand that this list was created out of a frustration that, frankly, I will likely never fully experience. I know that it’s targeting the worst, most flagrant examples of these tropes, and to that I say “swing away”. Concept artists/art directors/producers who perpetuate this insidious atmosphere should ABSOLUTELY be taken down a peg. But saying “we will never draw these specific things again” basically just gives the sexist mentality more power. At that point they own those aesthetics and they have no right to. I have to believe that there are a hundred ways to design backless armor that don’t insult or alienate half the audience. A smart designer could take back “armored gloves and feet but no armor on the midsection”. That could look really cool and imply a totally different fighting technique. I will (very likely) never design a battle thong, but some day an artist better than me will design an army of men and women in battle thongs and nipple armor, and will handle it with dignity and respect to the characters and the audience, and we’ll thank them for it.
I’ll just chime in and say that Matt’s portfolio, and in particular his work on Inquisition, speaks for itself on this subject.
Context is important. Naturally there is also a context of the industry at large, and the reason this graphic was created in the first place, and thus a reason some folks are upset…but I’ll just say, for whatever it’s worth, that Matt Rhodes is easily the artist most sensitive to this issue, and most compassionate regarding it, that I’ve ever had the pleasure to work with. If there was anyone who I’d trust to know the difference between “sexy” and “sexualized”, it’s him, and I think his record attests to that.
That’s going to be meaningless to some, particularly for those who will wrap Matt up in the larger (and very valid) issue, but as someone who’s rolled his own eyes at many a design poked at by the graphic, I think it’s important to remember that Matt feels it’s valid as well.
This tweet is so important to me
Game: Mass Effect 2
Song: Suicide Mission
Your Monday Morning Brain Teaser: Unscramble the Corgi.
Oscar nominees Best Animated Feature 2014
Earlier today this article was brought to my attention, in which it becomes clear that some of the Academy voters have little to no respect for the animation industry. They openly admit not having watched the nominated films and/or claiming that animated films are for kids, so they didn’t vote. Even the ones shown in the article that did vote barely motivated their choice.
I find this extremely disrespectful of the animators who poured their heart and soul into making these movies, only to have their work be pushed aside without a second glance by the judges of one of the most prominent and well known film awards out there. As an aspiring animator, I am deeply insulted.
Please note that in this post I am expressing no opinion on whether Frozen should have won or not. I think it’s a wonderful film, just as all the other nominees. I am simply saying that we deserve better.
What they did is disrespectful to the creators of every single one of these films, even Frozen. By barely motivating their choice, they make it look like they voted for Frozen simply because of Disney’s status in the industry. Because it’s Disney, and it made a lot of money, so it had to be at least somewhat good. To me it seems like some of the voters just defaulted to voting for the Disney film, and nobody likes to win by default.
Don’t get me wrong, I too have been guilty of loving Disney simply because it’s Disney, but there is so much more beautiful animation out there and it deserves to be taken into consideration. And if Frozen won, it should have won because the majority of the voters thought it was the best film, not because part of the voters was too lazy to even watch the nominated films.
hands down my fave bit of rotk is when the ring’s been destroyed and mordor is like collapsing in on itself and sauron is freaking the fuck out
but all he can do is swivel his giant eye around
he’s like guys
what’s happening guys
I THINK MY TOWER IS COLLAPSING
GUYS IM SERIOUS
LITTLE HELP WOULD BE APPRECIATED
Without exaggeration, this is my life now.